The elevated, idealized language that characterized romantic discourse in the nineteenth century attracted many followers but also many critics. Women writers in Latin America often portray exalted language as dangerous, misleading young women into false expectations. The following poem, published in 1876 by Silvia Fernández (Argentina, 1857-1945) pokes fun at the difference between the couple’s words and their real feelings.
What does each not understand about the other?
“Goodbye, light of my life, my beauty,
Woman with skin of roses and lilies,
My lovely angel.
Tomorrow I will return, and while I am
Away from you, pure and innocent angel,
“Goodbye, absolute lord of my life,
My most beautiful and blessed hope,
Don’t forget that I adore you madly,
Don’t forget that your love and your tenderness
Sustain my existence.”
“This woman’s endearments bore me,
Her beauty isn’t worth two cents,
What skin! what a color!
I must tell her, with no hesitation,
That even if she is dying for love of me,
It’s all over.”
“Finally, thank God, I’m alone!
Oh! how the gallantries of that boring man
Tire me out!
He loves me to distraction, I am his greatest desire;
But I must get rid of him, even if, I fear,
He should die of sorrow.”
Translated by the Palouse Translation Project
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